For those of us who first studied Copyright Law in the 1980s
there is no more venerable name than Melville Nimmer. Professor Nimmer's treatise Nimmer on Copyright is the most
comprehensive guide to all questions of copyright law, large and small. I still
refer to my 10 volume set of the treatise religiously.
What is
perhaps even more significant about Nimmer is that even though Melville Nimmer himself
died in 1985, his work has been continued by his son David Nimmer since that
time. . The collective oracle is always
simply referred to as "Nimmer".
According
to a recent article by Devlin Hartline on the web site Copy Hype, David Nimmer has
recently changed his position on what the exclusive right
"distribution" means under the Copyright Act. Apparently, up until this year, Nimmer took
the position that distribution required an "actual dissemination of works
to the public" but now he defines "distribution" as simply as "making available" the
copyrighted work to the public.
Nimmer's
original interpretation was important because it was this interpretation the
Court of Appeals relied on to give Jammie Thomas‑Rasset a new trial in her
well-known copyright infringement case with the RIAA (i.e. since the plaintiff
record companies could not prove that anyone actually downloaded the songs she
had posted, the court did not believe that actual distribution could be
shown). Although the ruling ultimately
did not help Thomas‑Rasset it did give encouragement to others who are fighting
similar cases. Somehow though, it did not seem right.
Perhaps more importantly, I am comforted to see anybody, be
they an academic or a politician change their position based upon the facts, especially
those facts contained in legislative history. It is a sign that intelligent and
thoughtful analysis has not been completely replaced by blind adherence to
dogma. It is also a sign that our Copyright Act remains flexible and adaptable
to the constant march of technological change. This is a good thing.
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